José Carreras at Mirza Delibašić Hall in Sarajevo

One of the more technically demanding projects of the year is done: José Carreras at Mirza Delibašić Hall in Sarajevo.
Complex hall acoustics, strict roof load limits and the uncompromising standards of world-class opera production called for bold solutions. Switching to dedicated ground support towers and tuning the Meyer Sound system down to the millimetre took everything the whole team had.
We set the bar high:
🔹 24 MILO line-array boxes on the main towers.
🔹 10x Lyon-M along the stage edge for crystal-clear sound in the VIP rows.
🔹 A cardioid array of 700-HP subs for powerful bass in the hall and complete calm on stage.
🔹 Flawless monitoring for the orchestra with 2×4 Lyon-M boxes.
All of it led to something I am extremely proud of: the musicians and the team of the Sarajevo Philharmonic called this the best-sounding concert in their history.
I love it when a design that is mathematically precise “on paper” turns into pure emotion in a concert hall. No risk, no stress, just a clean result.
A special THANK YOU to my crew on site: Jože and Marko (Akustika Pirman), Goran (Imperio), Peđa and Žuti. Your dedication and willingness to work together is what makes the difference. José Carreras, Diana Tugui and every instrument of the Philharmonic sounded flawless thanks to David Barbagli at FOH. Big thanks also to the organiser, Music Time, for their trust, for bringing this incredible team together and for making the whole project happen.
On to the next production wins!