José Carreras at Mirza Delibašić Hall in Sarajevo
Production and technical coordination
Four rental companies, a shaking staircase and a philharmonic that arrived with the wrong keyboard. One production manager. Flawless result.
Concerts · Tours · Festivals · PR
Concert and tour production, technical direction and PR. Twenty years backstage from Ljubljana to Skopje, from club to arena.
Pictured: José Carreras at Mirza Delibašić Hall in Sarajevo
01Selected productions
An arena tour and a summer stage on a town square run on the same logic. Only the channel count changes.
All work
Production and technical coordination
Four rental companies, a shaking staircase and a philharmonic that arrived with the wrong keyboard. One production manager. Flawless result.
Tour production
Tour management and stage management
Local production support
Technical production and stage management
Festival technical director
02What I do
Project management, stage management and technical production in the same hands. Fewer links in the chain means fewer things lost between them.
01
For promoters, agencies and international management who need someone on the ground. Venues, riders, suppliers, permits, schedules and local crew, across borders and without surprises.
02
On show day I run the stage from load-in to load-out. Sound, lighting, video, safety and the schedule under one control.
03
Press releases, media lists and journalist relations in Croatia and the region. Social content from backstage, not from a stock library.
03Show day
Every show day has the same skeleton. What was agreed is what gets delivered and invoiced.
04Worked with
José Carreras/ Bruce Dickinson/ Gipsy Kings/ Željko Joksimović/ Rock the Opera/ Perpetuum Jazzile/ Amira Medunjanin/ Massimo/ Boban Rajović/ Indexi i prijatelji/ Klape u Areni Pula/ Hot Men Dance Show
05Who you call
Twenty years on stages across the region, as a sound engineer, technical director and producer. Ten years in radio and six in a city culture department, so I know both sides of the table: the artist's rider and the rules of public spending.
When a rider arrives that no venue in the region can fulfil, I adapt it so that neither the artist nor the audience notices the difference. When a production is falling apart two weeks before the show, I have seen it before and I know how to fix it.
Neo Production is one person. When you hire it, you get that person, not whoever happens to be free that weekend.
The best production is the one nobody talks about. They only talk about the show.
07Contact
Send the date, the venue, the programme and any quotes you have already received. The first conversation costs you nothing. If there is nothing to fix, I will tell you that too.